The poche reflects the notion of 'weightlessness'. It is clear how the interaction with the art work determines movement through the spaces; the architecture 'steps back' and allows the art to talk. The weightlessness of the bay, which could be for a singular artist such as Vexta connects with the open workshop bays that are between them; therefore there is a dialogue with the artwork, the artist who is making other works, the debris lane (the side where the materials and storage exists) and the real lane that exists. It is as though the art gallery does not exist
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