The verticality of the columns placed randomly on the grid and the inward panels of curtain glass reduce the space to weightlessness. The fact that the platform does not touch the ground on the edges increases the weightlessness of the space. The placement of the cupboard placed somewhat randomly has inspired me to consider that the artwork and the placement of it induces the circulation through the space; this reflects the argument of conflict that was previously explained. The columns act like minimalist supports, holding up each of vexta's art.
The spaces are very very weightless and always make reference to the outside as the inside bares hardly any weight 'experientally'. This will allow me to reference to the workshop spaces and the interior and mimimise the impact that the construction will have on the dialogue between beholder and artwork, according to Vexta's priority to connect with people. I want the space to be as though it is not there
The verticality of the columns placed randomly on the grid and the inward panels of curtain glass reduce the space to weightlessness. The fact that the platform does not touch the ground on the edges increases the weightlessness of the space. The placement of the cupboard placed somewhat randomly has inspired me to consider that the artwork and the placement of it induces the circulation through the space; this reflects the argument of conflict that was previously explained. The columns act like minimalist supports, holding up each of vexta's art.
The spaces are very very weightless and always make reference to the outside as the inside bares hardly any weight 'experientally'. This will allow me to reference to the workshop spaces and the interior and mimimise the impact that the construction will have on the dialogue between beholder and artwork, according to Vexta's priority to connect with people. I want the space to be as though it is not there
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